Bandersnatch reveals the trend of creating white dystopias from Black realities.
Dunia says she’s got jinns in her fingers. That they came there ’cause she killed people, settled right up beneath her nails and she knows it ’cause she can feel them. “It’s like touching a hot coal, Sumaya,” she says, curled up beneath a blanket while we listen to Khadijah sob and retch somewhere deeper in the woods.
"People say that it’s impossible to invent colors, that what we have is what we have and what we know is what we know. That is not true. We learned. We invented. We pulled color from places it shouldn’t have existed, shades of Black that did more than span a spectrum, that became unique within themselves. And in the spots where growth failed to bloom, we found new ways to articulate what had occurred."
BlacKkKlansman isn’t a story of infiltrating hate, but a harsh reminder of how easily pro-police propaganda can disguise itself in radical Black aesthetic.
This essay contains spoilers for Spike Lee’s “BlacKkKlansman” and mentions of racist violence, police brutality, sexual assault.
On the Politics of Being a “Hoejabi” – The Hypersexualisation of Black Women, Gendered Islamophobia and Misogynoir
Coming into Islam...I learned from Black Muslims who navigated gender at a crossroads, where sexuality was equally as tumultuous and carved out the details of what it was to wear hijab and to be a hoe.
“Everywhere I look, Lord / I see FB eyes / Said every place I look, Lord / I find FB eyes / and I’m getting sick and tired of gover’ment spies” — Richard Wright, “FB Eye Blues” (1949)
Despite the larger movement addressing campus sexual assault, Black Muslim women still share their experiences in whispers.
The question of where you’re from is often met with eager anticipation to easily judge you.
In this op-ed, writer Vanessa Taylor explains how Super Bowl 52 may negatively impact homeless youth in Minnesota, especially those of color.